RIP Myron Rosander ….

My best portrait of my favorite teacher, Myron Rosander in profile, on the field at dci finals retreat in 1997.

Credit, love, reverence, respect, humility, mourning, appreciation, honor, perseverance, integrity, indomitable spirit, courage, love and hope. These are just a few of the words that come to mind when I think about my favorite educator who later became a close friend and confidante. Rosander was there when a father-figure was needed most. When all I needed was a friend to talk to, lament and connect through shared experience as friends – he was there for that too.
Readers of this site know that the publisher is a pragmatic man of science (who is less on the religious side, yet heavy on the spirituality). Forgive me but, the majority of the New Testament isn’t all that plausible to me. No; I don’t believe; as Carl Sagan said “I do not BELIEVE anything; there are only things that I know and things that I do NOT know…” Does this make me a “Commie-atheist-Jew-bastard”? yeah, it does – the assertion is partially true and it does not insult me on any level. I digress.

In contrast to all the logic, axioms, proofs and lemmas that build the world I Know exists….Myron was a magical, super-human person with the ability to perform magic. How is  this insanity possible? I was there the “Night Myron Brought the Lightning.” Looking back I cant confirm or deny that he had control of forces unknown; yet benefited from greatly. On the night in question, the 17-yr old version of me was convinced that if there were ..say..”gods“…that he HAD to be one of them.

You can locate Spike’s youtube vids and/or order his book for an excellent recounting of this and many other magical moments that transcend anything we can understand — though THAT NIGHT?… no one, not the Elks who’d just toasted us (given thank-you speeches in our “honor” and showered us with kilos of spaghetti and tears) not the staff, the management or even the OG Consultants can explain exactly what happened that night or how he did what he did….only that it was the only way to get our immature heads out of the clouds and back to reality. We’d recently been winning shows almost every night, we had the highest score in the country (~91.3) and Drum Corps World ranked us #1. It went to our heads. I knew the show we’d done before retiring to the lodge was flat, weak …in fact it was lazy; “mailed in” – the crowd still ate it up along with the victory concert that followed.*still* – we could’ve given 10x more; for some reason; we chose NOT to. Some corps peak early and their score reflects it…experienced it myself in 1996 – The Velvet Knights – we peaked somewhere in the midwest, where our best shows were … [and a few in the north-east] – our score pushed 80 but never broke it; at DCI, we finished 16th …south of 75.

Myron had the foresight to realize the 1997 Vanguard was at risk of peaking in late July/early August, which would mean we’d “get our shit tossed” at DCI. He never cared about the score; nor do I — a show that pleased him would please any judge – so simply showing up with the super-suit on, game-facing it, leaving 200 percent on the field and creating emotional moments the audience could connect and feel were guaranteed to jack-up the score (ideally…ahem) Many judges are hard-core fans at heart and will reward the corps that moves them the most with the show’s crown; even if it wasn’t technically the best-technically-executed-show that night. nu?
On the night in question; for its time w/in the season & tour; the show was technically near-perfect. No tears, no drops, no clams, perfect drill with perfect technique…no out-of-stepness. The judges rewarded us because other div one corps; Rockford, Rosement, Canton, Boston, Madison; we’d left all of them far behind weeks ago – sadly, it led a reason to rest on laurels and get lazy — cuz thats what kids do. We were kids and most of the nothings, vets, super-vets and staff were also..technically…kids.
After the show my friend and teacher/tech, Brian Belski pulled me aside and warned me – (I knew we’d mailed in a show, but I thought we’d get away w/ it because of the reception, the victory and soon-coming opportunity to do it up right at the next show). What I did not know was that Myron was beyond-furious…and not just at the corps. Belski’d ridden back to the lodge in the staff bus and witnessed the magic-man stewing. Belski warned me a dreadfully long and painful chewing-out and shaming was on deck and could hit at any time – also that he was equally pissed at the staff.
That was my favorite moment; halfway through our “new-asshole-tearing” (as the lightning began to gather) he turned around to where the leadership was hiding — some of them perhaps thinking they were immune to his wrath.
As the berating crescendo-ed from mezzo-forte to fuck-you-loud; Myron swung a full 180– AT THAT MOMENT; IN TIME WITH THE EXCLAM. ON THE END OF HIS NEXT STATEMENT–WAS THE FIRST LIGHTNING STRIKE…

“[spin] AND THE STAFF!!!!!! [KrackBOOOOOOOOOOOOOOOOOOM!!!!!!!!!!!] [EXPLETIVE DELETED EXPLETIVE DELETED ETC]…as he held every man and woman within the sound of his impossibly projected voice responsible and vilified us all; an intense electrical storm commenced; the strikes were close; so there was no delay between flashes and bangs. The marcatos, accents and sforzandos of his most venomous invective were all infused with summer’s most violent strikes from a pitch-black-sky. The more angry he got; the more the lightning gravitated to him and for a few inexplicable moments – the dark forest of upstate New York seared with incendiary, passionate, pitiless rage … emotionally or physically, none was left unburnt by what is still the most inexplicable moment of my life.
I just don’t see how that couldve been a convenient coincidence, dear reader. He knew he had to save the corps from peaking early, he knew it was crucial he got the bullet points thru the thick skulls of every one of us; so he made it happen.

In my life; I have not mailed in a musical performance even once since that fateful show.He brought the corps up. he brought me up [time and time again]. We peaked at Finals; that’s the goal of a div 1 corps or a world-class sr. corps. PEAK AT FINALS. We were ale to do it as performers and the staff was able to help us achieve that; thanks to his guidance; beginning with a rude awakening.

A magical awakening. from a magical man. We will love and remember him forever.

On that note; I was reminded on fb by fellow tbn-player and one of the best Mellophone Bugle players I’ve ever heard (Matt Carol) that “he could teleport!” I was warned early on that he had this power. The man was intimidating for certain; and the first time I met him he informed me that by only drinking water during a 2-min water break – I was wasting about 1 minute that could be used to work on my horn-snap…my horn-salute…my high-mark-time…whatever..just…

“take the goddamn initiative and work on bettering yourself w/o having to be asked; don’t let me ever see you just standing there like an idiot during rehearsal.”

Yes sir,” I said, setting down my water jug and bringing my horn to a carry and running a portion of the timing exercise.

That was in March; and I was used to being abused by viz staff the previous year on a far more cruel scale at vk; hence it didnt bother me that my days of “kicking it” when the staff gave us a break LONGER that an “in&out” were OVER JOHNNY [that means run, drink water, run back and set at a pistol, posssibly at minus1]

That same day I realized he could easily teleport from side 1 to side 2, from side 2 to the stands, from the stands to the box, from the box to backfield….and at times when I couldn’t see him; I conducted myself as though he could…a good idea; because it was in those instances when he’d suddenly appear behind me and pointout that I’d again failed to hit his[my] dot. Myron gave me a handful of crucial drill spots in the 97 show. In the intro “Lonely Town” we all toe-1st out-of time and crescendo to a heart-shaped-form…I was the point at the top of that heart. Same for the biggest hit in the opener “On the waterfront” – the drum feature is followed by a horn-snap, and me playing+jazz-running to what resolves in unison concert C at fortissiissimo, the visual resolve was a massive bow-tie, which hinges on the center of the X it will form – that’s me. (what an honor!) …then we get 8 beats of respite backfield, after which Myron’s amazing Avalanche begins….you could say im in one the 2 most “screwed spots” – geometrically, the bottom left & right drill spots will have to jazz-run backwards at a full-clip-full-extension 4 to 5, the direction change and jazz-run forward for same.

This and many other drill moves were certain to be completely ruined if I did not nail my set (even early season) this means that frequently I was gauging those extremely exposed drill spots on-the-fly in real time – in the moment say, the “center of a giant X” could be up to 5 yards from where it is written to be. I quickly learned a disdain for so-called “dot-marchers.”

me- ‘move back’
asshole – [looking at dot book] “im on my dot”
me- “fuck your dot-book – look at the form, you’re out of it..next time? the dot book goes down your throat after I plug your mouthpiece”
asshole – “ok” [but god-help-him] –if he shook his head, rolled his eyes or [unimaginable to Myron’s students] threw his hands up the air.

Did Myron teach me to treat some students harshly, threaten them and demand unquestioning fealty, sometimes via fear/intimidation? –NO. I was already primed to be a complete dick. Did he make it easier for me to write/teach and clean drill for bands and winter guards [and div2 corps?] YES!

To a well-examined, well-lived, never-to-be-forgotten life. L’chaim!

PS – to my ‘corps’ readers – I began to compile historical anecdotes about Myron right here at tapper7.com/LoveForMyron a few months back. If you’d like to add one, you can submit it to the editor for review — email your story (stories), your name, nickname, section, full dc experience + [obviously] yr & or years you marched scv – as the page is titled; anyone who loves the man is entitled to an opportunity to have their words appear. Note -though about a 5th of you are … there is no need to be an alumni of scv a or b to post…only that your story is a)true and b)from the heart. thx! submit to the webmaster (submit!!!) chris@tapper7.com

*legal notice* consider that all americans have a right to privacy in writing your anecdotes. all content is edited for style, syntax, grammar, fact-checked and may be modified for compliance with US Media Laws, AP Style and SPJ Ethical Compliance. that said; feel free to pour your soul out. Approved authors get full credit and back-linked if they have anything to BL to. Should /loveforMyron grow to a publishable size…all profits will go to the Santa Clara Vanguard. Bias note – the publisher himself has much love for Myron and intends to make a[nother] donation to scv regardless.
-[]

Music Composition – Building Simplicity part 1 – Drum Corps & I-IV-V-I ….

Let’s go back in time for a moment. We’re 16 again, in the end-zone of some HS football field. Sixty-five of our brothers and sisters surround us for horn-arc. We attentively wait on our Caption Head … maybe it’s Jim Prime, Jim Ott, Rick South, Gail Royer, Jack or John Meehan, Greg Flores, Gordon Henderson, Jim MacFarlane, Gary Kean or Dean Westman. He raises his hands and our horns come up as one. He does two things-

  1. He gives us a “thumbs up”
  2. He smiles

For the uninitiated, the thumbs up signals the “F Tuning” sequence; the smile indicates his joy in conducting this and hearing us perform it , it is also our joy to play it for you. I’m going to bridge the gap between complexity of musical form, aesthetic & structure with our innate ability to enjoy music – no matter if you are a casual listener, a fan, a performer, a student, a pro, or a snobby hack with OCD.

The director brings up his hands and we breathe deep, from the bottom, set our lips and articulate a a unison C in three octaves. Then (perhaps with index and pinky extended to indicate an interval is about to be laid down, he cues the next fermata). The lead barry and sopranos pop up to the perfect fifth: G. Possibly adding another digit to indicate a completing of the major triad, with the next downbeat, seconds arise to the major third – E. –> The I chord is now constructed.

With four digits to signal the IV chord, he cues it and the line moves to an F Major triad – F, A & C. Now with all digits exposed to signal the V chord – he drops the downbeat and we move into G Major – G, B & D. To complete the progression, he gives another big, happy, open downbeat to signal a return home – to the root – I –> C Major again. It rings, it’s in tune, balanced, glorious…it is a moment of sheer joy for all within hearing range.

Why do we “like” F Tuning so much? What makes it happy? Why is the director, performers and audience smiling? That is a question for signal analysts and the neurosciences – what I CAN tell you is what the I-IV-V-I progression expresses artistically, or…at least what is theoretically “saying.” (Hence the study of music theory). I’ve read hundreds of articles and books on this, I’ll be using my own interpretation of the aesthetic. It is open for debate, difficult to define in words – you may have a better or more succinct or poetic way of putting it…for those who wish to learn basic chord progression and the artistic theory associated with F Tuning, I hope to shed some light on what your ears have been telling you all these years.

  1. As the director, I’m going to present the audience with an idea– in this case, the idea is the “color” C. It is plaintive and simple. Though in three octaves it is really just one note. Sixty-six men & women paint it for you.
  2. By cueing the perfect fifth, I’m telling you that “We are going to paint more for you.” The G’s fit just right, like an old baseball mit.
  3. When I layer in the third, I inform you that I’m continuing to “fill in” the picture of a C Major triad. Can you feel the symmetry? Does it appeal to your logical/analytical side? Your creative side? I hope it appeals to both. I’ve given you the WHAT – this piece of art is based on the key of C Major. – What happens next is a bit of a quandary.
  4. I cue the subdominat IV chord –> F Major….In moving to the IV, it signifies a turn inward…it’s as though I’m communicating internally, or perhaps with the performers, but not you…not exactly…not yet. In lyrical music, a IV following a I often contains 1st-person phrases like “Is this a dream?” “How do I feel?” “I’m unsure of myself.” Perhaps (to the 1st-time listener of F Tuning) you are unsure as well…what will I (we) present next? Even though this chord is major (“happy” — sans dissonance), by following the I it evokes uncertainty.
  5. Moving into V –> G Major, I put you back into the picture. In lyrical passages, V’s that follow I & IV often contain verses in the third or second-person. That is; someone, or some group, is being addressed directly. “This is how you make me feel.” “I’ll always remember Dominique’s smile…” “We love our fans.” Subconciously, you should at least get the following message, “NOW you see (hear). NOW you know what I’m (we’re) doing.”
  6. Psychologically (for reasons unknown to me) the V chord following the I & IV send a strong signal that the I chord is coming back — NEXT. If I were to yell “CUT!” before the resolve to I, you are likely to get an uneasy, uncomfortable feeling. To wit, a “buzz-kill.” It’s like in 2nd grade choir when the teacher would play C, D, E, F, G, A, B …… (?????!!!!!) our seven year old brains freaked out a bit…dying to hear the C! You may remember this exercise… some students sang the C out-loud due to frustration. The want or NEED to hear the V resolve to I is even stronger. Scales and one-note-at-a-time patterns have got bupkis on chord progressions.
  7. With a final downbeat – I signal the return home – to I –> C Major. With the V chord, you “saw” … you “knew.” With the resolve…I publicly said, “Now …you understand.” (and tangentially, did you like it? Hopefully, you did).

I reconstructed “Thumbs Up” from memory (not that it’s hard to remember) about a year ago in MuseScore and exported a wave file so you can digitally stand with me in the arc and hear it once more, just don’t be surprised if I add I7 or I9 (“Amen”) to the second refrain & naturally the double high register in the third. It’s the virtual drum corps that lives in my PC. They’re learning.

These feelings, expressions, emotions and forms of communication innate to chord structure and progression can get quite complex, in future installments I’ll add examples to listen to and we’ll delve into far more complex progressions as we learn this together. It’s about time we understood a little bit about our favorite thing in the world, don’t you agree? -t

Looking for latest “posts” dear reader? ….

As we all know, I communicate far more effectively with my voice than my prose.  My last two “posts” were short podcasts showcasing my latest ensemble arrangements, and that of  an associate as well. I’m experimenting with the audio and keeping QC as tight as possible….Broadcasting is what I went school for. That and editing, computer programming and math. My prose always suffers from wordiness. My broadcasts are always clear and concise.
There should be link to my podcasts in Column one of this page and Column two…if not I’ll be adding it.
Best Practice for everyone is to lookup “TapCast” on iTunes. More multimedia content = more gooder.
TapCast is hosted by Tapper7.com and published on Stitcher & iTunes. Get tapped today!

Rough draft of 1996 VK Judges tape is ONLINE! (finally!)….

I’ll be cleaning this up A LOT….but here’s a draft for ya’….check out Antii Karvonen (Solo Soprano) and moi (Lead in Small Ens. Swing to end of opener) during “The Jetsons,” ….to quote Antii, “Damn [We’re] Smooth.” This corps unfortunately did NOT peak at Finals…so Stillwater was as good a show as any we did that year. The GE judge certainly enjoyed it, but…whatever-we blew the ROOF of that joint; crowd went s#!t nuts and that’s all that matters. More pics and info about this historic recording coming soon. Credit to 1996 Soprano Plug and 2015 Legit Pro percussionist Chuck Lopez for rescuing this Gem:

I’ll add some anecdotes about the “issues” that preceded the show where we srsly took the Stadium in Stillwatwer DOWN at some point in the near future. We had to FOLLOW The Madison Scouts that night…. That’s right, FOLLLOW “A Drum Corps Fan’s Dream, Part Dos” on THEIR TURF. Good Lord that was one Bad-Ass show…A Mis Abuelos? Fugettaboutit…. (One of the tour buses broke down; hence VK closed the show—f—ing GUMBY*)

*Accchhem*

CVHS Pride. “Capo Yo!”

SoCal Billy Bad Asses!

West is Best.

Nostalgia See-tay!….eh…this is only a rough draft test…enjoy…speaking of Nostalgia City, while working on getting that old tape published on YT & FB for my associate…I’m listening to this rockin recording we made back in 96…then I note that one you treasured readers posted a link to a sick band – Die Antwoord – that’s Afrikans & OR South African-en for “The Answer.” Their breakout hit Umshini Wam – “Bring me my machine gun” was shown to me ages ago…by another treasured friend …one who’s ALIVE and NOT IN JAIL…but we just don’t live all that close anymore…ANYWAY the 1st time I saw it I found it  “f—ing sweet” – it has a rad beat, the blonde chick and the dude are seriously tight rappers and the visuals are original, absurd.
I dug it right away; scope it out: Looking back there are several touching moments….
Let it be known that Tapper misses having a cool chick to hang out with.
…and I got a new bike: OC Craigslist STEAL OF THE YEAR THUS FAR. Sooooooooooooooooooooooooooooooooooooooooooooo F—ing Bomb.
—————–PIX!————–
townie1

townie2
…I’ll be Back soon kids…. here’s an ad for you, I hope it doesn’t suck. Plz tell me if my ads ever suck I’m ’bout to go back and start banning advertisers again. I saw a few cruddy ones recently whatever u get my drift ….advertisement:
*The Gumby was the Rookie Bus….I rode on the Schmee-the Hornline Vet Bus…No drummers, no rooks..even though I was one, due to my being 1st “chair” Baritone/Upper Lead Bar… 1st part in our award-winning I&E Mixed Ensemble and my solo/small ensemble (2 Barry’s + 2 Flugels) in the swing section of The Jetson’s….I powered through some serious bulls— from the vis staff and stepped up my marching game to rival my chops—it garnered a grip of respect…with that came regular beatings. Only the old school drum corps guys can understand why being talented or even “good” also leads to getting your @$$ thrashed on a semi-regular basis. Meh. It got me ready for what was to come. Made me harder than steel-reinforced concrete. There’s something about learning how to take multiple/repeated shots to the kisser, breadbox and/or balls that only makes a young man tough…+the ladies like it too. —Going back to high school and dating the girl the quarterback dreams about? AS A BAND GEEK? What can I say? I HAD NO COMPLAINTS JR. YR! HaHa!…BD/SCV/VK Vets in Mission Viejo in the 90s…we showed our respective football teams and other “popular” kids how business got DONE. ———->Dedicated to those who inspired and accomplished same: Brian Kettlehut, Jon Goldman, Sean Billings, Antii Karvonen and Travis Larson + many others. I can only pray today that at some high school…somewhere…as it was at MVHS and CVHS…it’s the guy who marches drum corps dating the prom queen/hottest chick in school…while the star quarterback/runinng back’s GF is characterized as “frumpy.” []

PS-RIP Ray Arias (Euphonium) and Jen Lee (Color Guard) …my girl and my boy. Miss youse guyz much. Love, Tapper.

Yarrr….Impossible it be….

oo draw design by tapperNotes: The prisoner was arrested for serving stale shellfish, upon executing a search warrant, LAPD officers found him in his “office” (a broom closet) attempting to convert a MIDI file he found online into an arrangement for something he called a “Drum and bugle corps” (????) the prisoner’s identitiy is unknown but he bears a striking resemblance to actor Rip Torn, who passed away a few yrs ago. His voice also seemed to resemble that of Harry Shearer. The prisoner kept shouting that he “hated” the “Pirates of the Carribean” but the “the music was really cool” (???????). Submitted to LACDA pending positive ID. Booked into LAC Twin Towers facility – 1/27/15.

Here is a PDF of the an arrangement draft: He-s-a-Pirate
Check out the psycho who inspired a worse psycho to create this post.
The California Health & Safety Code.

damn…I totally realized how much I miss Rip Torn while writing this…. “Yar……I’m ….unattractive.lulz.

Now get back to work ….Tap.